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Vivaldi, Antonio: Stabat Mater and Concerti per Archi; Domenico Scarlatti: Salve Regina; Charles Avison: Concerto No. 7.(p=-p./)(Sound Recording Review)
Vivaldi, Antonio: Stabat Mater and Concerti per Archi; Domenico Scarlatti: Salve Regina; Charles Avison: Concerto No. 7. Tafelmusic Baroque Orchestra, with Marie-Nicole Lemieux, contralto. Recorded in 2003, at Humbercrest United Church, Toronto. Engineer: John D.S. Adams. 57+ minutes. Analekta 3171.
Although best known today for his concertos, Vivaldi was also well known in his own day as a composer for voice, His output included several operas, cantatas, and sacred compositions. One of the latter is presented here and the mix of a balanced soundstage spread, instrumental detail from the period ensemble, and the well-defined vocal sound results in quite a listening experience. Of ...
- Alessandro and Domenico Scarlatti: A Guide to Research.
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...everything of substance up to about 1985 (the year of Domenico Scarlatti's tercentenary) as well as "major articles, etc...with Special Reference to the Scarlatti Arrangements of Charles Avison" (Ph.D. diss., Oxford University, 1980). The...
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- Magazine article from: Contenido November 1, 2006 700+ words
Cuentan que el msico italiano Domenico Scarlatti (1685-1757) compuso una fuga para clavicordio en re menor conocida como "La fuga del gato", inspirndose en cierta ancdota en la cual su felino salt al clavicordio y se pase por el teclado pulsando al azar las teclas.
- Tafelmusik lays fun on the early music table
- Newspaper article from: The Boston Globe Richard Dyer, Globe Staff August 24, 1996 700+ words
...going as lickety-split, as the 18th-century English composer Charles Avison asks her to in a lively string concerto derived from keyboard sonatas of Domenico Scarlatti. This was one of the two big hits of the evening, the other being...
