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COPYRIGHT 2005 All rights reserved. Reproduced by permission of The Condé Nast Publications Inc.
From 1997, the Annie Proulx story that inspired the film.
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The Film File
The new Ang Lee film, "Brokeback Mountain," is a love story that starts in 1963 and never ends. The first scene is a master class in the dusty and the taciturn, with gusts of wind doing all the talking. A cowboy stands against a wall in Signal, Wyoming, his hat tipped down as if he were falling asleep. Another fellow, barely more than a kid, turns up in a coughing old truck and joins the waiting game; both are in search of a job. There is something wired and wary in their silence, and the entire passage can be read not only as an echo of "Once Upon a Time in the West," whose opening hummed with a similar suspense, but also as an unimaginable change of tune. Sergio Leone's men were waiting for a train; these boys are falling in love.
At last, we learn their names: Ennis del Mar (Heath Ledger) and Jack Twist (Jake Gyllenhaal). Both are hired for the summer, to tend the flocks on Brokeback Mountain, and that is where we follow them for the first, idyllic act of their story. This is the most gorgeous part of the movie, and the least successful, partly because an idyll is less an event than a state of being. Lee wants to suggest the savoring of time, yet the camera tends to alight on ravishing formations of rock and cloud, grab them, and then...
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