SCOOTER'S SEX SHOCKER.(Scooter Libby)

Of all the scribbled sentences that have converged to create the Valerie Plame affair, the most remarkable, in literary terms, may belong to Scooter Libby, Dick Cheney's recently deposed chief of staff. "Out West, where you vacation, the aspens will already be turning. They turn in clusters, because their roots connect them. Come back to work--and life," he wrote in a jailhouse note to Judith Miller. Meant as a waiver of confidentiality, the letter touched off the sort of fevered exegesis more often associated with readings of "The Waste Land" than of legal correspondence. For even more difficult prose, however, one must revisit an earlier work. "The Apprentice"--Libby's 1996 entry in the long and distinguished annals of the right-wing dirty novel--tells the tale of Setsuo, a courageous virgin innkeeper who finds himself on the brink of love and war.

Libby has a lot to live up to as a conservative author of erotic fiction. As an article in SPY magazine pointed out in 1988, from Safire ("[She] finally came to him in the bed and shouted 'Arragghrrorwr!' in his ear, bit his neck, plunged her head between his legs and devoured him") to Buckley ("I'd rather do this with you than play cards") to Liddy ("T'sa Li froze, her lips still enclosing Rand's glans . . .") to Ehrlichman (" 'It felt like a little tongue' ") to O'Reilly ("Okay, Shannon Michaels, off with those pants"), extracurricular creative writing has long been an outlet for ideas that might not fly at, say, the National Prayer Breakfast. In one of Lynne Cheney's books, a Republican vice-president dies of a heart attack while having sex with his mistress.

It took Libby more than twenty years to write "The Apprentice," which is set in a remote Japanese province in the winter of 1903. The book is brimming with quasi-political intrigue and antique locutions--"The girl who wore the cloak of yellow fur"; "one wore backward a European hat"--that make the phrase a "former Hill staffer," by comparison, seem straightforward.

Like his predecessors, Libby does not shy from the scatological. The narrative makes generous mention of lice, snot, drunkenness, bad breath, torture, urine, "turds," armpits, arm hair, neck hair, pubic hair, pus, boils, and blood (regular and menstrual). One passage goes, "At length he walked around to the deer's head and, reaching into his pants, struggled for a moment and then pulled out his penis. He began to piss in the snow just in front of the deer's nostrils."

...