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Robert Smithson is in fashion, in a hair-shirt kind of way. Excited reverence has marked the art-world response to a retrospective of his work that opened in Los Angeles last year and is now at the Whitney. This may seem odd, given that Smithson, the mystagogical dandy of postminimalism, who died in a plane crash in 1973, at the age of thirty-five, was a sculptor who made exactly one good sculpture: "The Spiral Jetty" (1970), a coil of rocks and dirt made with earth-moving equipment, in a remote bay of the Great Salt Lake, which few people have seen except in handsome but inevitably misleading photographs. (Underwater for many years, it reemerged in 2002.) I paid my own ...