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COPYRIGHT 2005 All rights reserved. Reproduced by permission of The Condé Nast Publications Inc.
Alan Alda was still going strong last week, just before the end of his four-month run in the revival of David Mamet's 1984 Pulitzer Prize-winning play "Glengarry Glen Ross."
"Maybe I'm supposed to show some wear and tear with the eight shows a week, but this is a great play, and I love acting," he said, an hour before curtain in his tiny dressing room. "This is my ecstasy."
His room was bereft of the usual show-biz memorabilia; instead, it was decorated like a study--leather armchair, small sofa with white woollen throw, a Kandinsky print, and a framed countryside photograph taken by Arlene Alda, his wife of forty-eight years. No posted photos of her or of their three daughters and...
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