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African Heritage Symphonic Series, Volume 1: Samuel Coleridge-Taylor, William Grant Still, and Fela Sowande. Paul Freeman, Chicago Sinfonietta. Cedille Records CDR 90000 055.(Review)

Sensible Sound

| June 01, 2001 | Puccio, John | COPYRIGHT 2001 Sensible Sound. This material is published under license from the publisher through the Gale Group, Farmington Hills, Michigan.  All inquiries regarding rights should be directed to the Gale Group. (Hide copyright information)Copyright

African Heritage Symphonic Series, Volume 1: Samuel Coleridge-Taylor, William Grant Still, and Fela Sowande. Paul Freeman, Chicago Sinfonietta. Cedille Records CDR 90000 055.

Look. I'm only going to say this one more time (or until I hear another disc from this source), so listen up. The folks at Cedille are currently producing some of the best-sounding records in the industry. And as usual I'd like to commend engineer Bill Maylone for his contributions to the audiophile cause. This recording of the Chicago Sinfonietta under the directorship of Paul Freeman is outstanding in almost every way. The sound is spectacularly wide, robust, dynamic, detailed, and wholly natural. Highs are sparkling, bass is deep and strong (with a drum rivaling the old Telarcs), depth perception is excellent, and imaging is superb. If the sonics have any weakness at all it's in the slightly soft midrange, yet even here it matches what I normally hear live in a hall.

But don't just buy the disc for its sound. The music is more than worthwhile, too. Volume One in Cedille's proposed new "African Heritage Symphonic Series," the album includes works by three prominent Afro-American composers of the late nineteenth and early twentieth centuries. The program begins with two pieces by British-born Samuel Coleridge-Taylor (1875-1912), "Danse Negre" from his "African Suite," and "Petite Suite de Concert." They are lightweight and ...

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Source: HighBeam Research, African Heritage Symphonic Series, Volume 1: Samuel Coleridge-Taylor,...

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