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Obiter Scripta: Essays, Lectures, Articles, Interviews and Reviews on Music, and Other Subjects.(Review)

Notes

| June 01, 2001 | KRUMMEL, D. W. | COPYRIGHT 2001 Music Library Association, Inc. This material is published under license from the publisher through the Gale Group, Farmington Hills, Michigan.  All inquiries regarding rights should be directed to the Gale Group. (Hide copyright information)Copyright

By Albi Rosenthal. Oxford: Offox Press; Lanham, Md.: Scarecrow Press, 2000. [viii, 472 p. ISBN 0-9506989-3-8 (U.K.); 0-8108-3861-3 (U.S.). $60.]

For nearly half a century, Albi Rosenthal has been preeminent among the world's music antiquarian dealers. One of my earliest recollections of his name dates back to the mid-1950s, when Richard S. Hill slyly assured me that one of the most important things any music bibliographer needed to know was PRImrose 1488, this being the phone number of the Belsize Park Gardens shop in London. The seventy-five writings collected in this book tell us why.

Several of the essays are classics. These include the brief overview of the history of the music antiquarian trade (pp. 6-18), Rosenthal's report on the discovery of the La Clayette manuscript (pp. 101-41), and some of the Mozart and Monteverdi studies (pp. 198-257). Among the most valuable, to my thinking, is a talk given at the Bodleian Library in 1952 (pp. 333-42), previously unpublished. Rosenthal may have been fairly new to the music antiquarian world at that time, but he described the goals and resources of music bibliography with impressive mastery. This was a world inhabited by librarians, collectors, scholars, and dealers, and the underlying theme in this essay, and in the whole book, is that they are all at their best and happiest when they are intermixed. Most of us, whether established in or about to enter any of the specialties in that day, would have been better off if we had attended this talk. Even today, anyone who wants to be reminded now what the world was like fifty years ago needs to dip into this fine mixture of insight and delight. (Until I read this talk, I must confess, I had never heard the story of the composer Bergier: see p. 334.)

The essays are useful lessons in other things as well. Seeing them in one book may bring ...

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