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Over the course of his sixty-year career, the artist Jacob Lawrence found his subject matter in some of the most controversial and hotly debated topics of the twentieth century. As a black artist, he was deeply concerned with social injustice and civil rights, and as a participant in what is known as the Harlem renaissance he made many influential contributions to the cultural scene in New York City. Nonetheless, his work has never until now been the subject of a retrospective exhibition, the line: The Art and Life of Jacob Lawrence, a traveling exhibition on view at the Phillips Collection in Washington, D.C., through August 19, redresses this imbalance. (Future showings will be listed in Calendar.) The exhibition also celebrates the publication of the two-volume book The Complete Jacob Lawrence. One volume is a catalogue raisonne, and the other, with the same title as this exhibition, is an interpretive monograph with contributions by a number of authors. The monograph has also been republished as a single volume incorporating material that pertains to the retrospective exhibition, of which it serves as the catalogue. The entire project has been underwritten by ExxonMobil with additional support from AT&T and the National Endowment for the Arts.
The Phillips Collection is a particularly appropriate location for this show since Duncan Phillips, the museum's founder, was an early supporter of modernist painters and in 1941 purchased some thirty panels of Lawrence's sixty-panel landmark work, The Migration of the Negro. Lawrence, who died before he could see the publication through, suggested this retrospective to the museum while work on the catalogue raisonne was in progress.
There are more than two hundred paintings and drawings in this show, spanning Lawrence's long career and representative of the various themes that he explored in his work, including "Interiors and Exteriors," "Performance and Games," "Work and ...