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French Science Fiction, Fantasy, Horror and Pulp Fiction: A Guide to Cinema, Television, Radio, Animation, Comic Books and Literature, by Jean-Marc Lofficier and Randy Lofficier; McFarland and Company, 2000, US$95.
THIS HUGE and comprehensive book is an extraordinary achievement that deserves to be well own. It covers all the varieties of "speculative fiction" in France, in a variety of media, throughout the centuries, and what it demonstrates above all is just how pervasive and deep is its influence in French culture, despite a belief outside--and often inside--France that the French are "no good at" the speculative and the fantastical. People often seem to imagine that French "clarity and logic" militate against it; but nothing could be further from the truth. This is a deep undercurrent in French culture, and the two authors are to be commended for their exploration of it in all its minutiae.
France indeed could be said to have started at least one of the genres of speculative fiction: fantasy, which traces its roots directly back to the chanson de geste and the medieval romance, and the work of such writers as Chretien de Troyes and Marie de France. The romance was a unique development in the history of speculative fiction, because though it used folktale, fairytale and mythical elements, it combined them in new ways, and developed characters so that they became more than archetypes. The lightness of touch, freshness, worldly wit and psychological enquiry which the medieval authors also brought to their explorations of mostly Celtic motifs has stayed as an abiding characteristic of fantasy in France.
The great Charles Perrault and his cohort, Madame d'Aulnoy and so on, reintroduced also to high society the appeal of fairytales, which before then had been thought to be of only peasant interest, and in the nineteenth century, "le fantastique" combined with adventure and science fiction to produce a most extraordinary Golden Age of speculative fiction in France. Of course, in modern times heroic fantasy has rather taken a back seat in France, but, due mainly to the success of translated fantasy novels starting a small revival in French-language fantasy too, this has been changing in recent years, and today the ...
Source: HighBeam Research, A MARVELLOUS ENTREE.(Review)