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Dutch interiors of the Golden Age deconstructed.(Art and Home: Dutch Interiors in the Age of Rembrandt, exhibition)(Brief Article)

The Magazine Antiques

| November 01, 2001 | Ledes, Allison Eckardt | COPYRIGHT 2001 Brant Publications, Inc. This material is published under license from the publisher through the Gale Group, Farmington Hills, Michigan.  All inquiries regarding rights should be directed to the Gale Group. (Hide copyright information)Copyright

The history of interior decoration as it pertains to Continental, English, and American domestic spaces has been the subject of scholarly inquiry for many years. More recently scholars have mined period documents, paintings, prints, and drawings for information about the arrangement of rooms from the Middle Ages onward. Most of these findings have been published, but with the advice that the sources should be used with caution since they can embroider considerably on the truth.

An intriguing exhibition currently on view and its excellent catalogue contribute much new information about one aspect of the subject. Entitled Art and Home: Dutch Interiors in the Age of Rembrandt, the exhibition is on view at the Newark Museum in New Jersey until January 20, 2002. It then travels to the Denver Art Museum, where it may be seen from March 2 to May 22, 2002. Major funding for the Newark showing was provided by Pfizer. The guest curator of the exhibition is Mariet Westermann, who is the principal author of the catalogue, which also contains contributions by W. Willemijn Fock, Eric Jan Sluijter, and H. Perry Chapman. The 142 objects on view include paintings, works on paper, ceramics, metalwork, glass, furniture, and textiles made in the seventeenth century.

Historians of economics have estimated that some five million paintings were executed in the Dutch Republic in the seventeenth century and that interior views and still lifes comprised at least ten percent of this output, or about five hundred thousand works. The meticulous rendering of the accouterments of the interiors shown in portraits, genre paintings, and paintings of interiors is what we find so appealing. In reality, however, these renderings reflect a healthy dose of artistic license on the part of the painters.

Because these works are so expertly painted, we tend to believe that the artist was looking at the exact scene he recorded. Even the ...

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