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Animal Form.(ANIMAL PORTRAITS; ANIMALS ON WHITE; JUNGLES)(Book Review)(Brief Article)

The New Yorker

| December 23, 2002 | Carey, Leo | COPYRIGHT 2002 All rights reserved. Reproduced by permission of The Condé Nast Publications Inc. This material is published under license from the publisher through the Gale Group, Farmington Hills, Michigan.  All inquiries regarding rights should be directed to the Gale Group. (Hide copyright information)Copyright

While most wildlife photography tends to explain things--showing how animals hunt, migrate, breed, and so on--some photographers prefer a more unconventional approach. In Walter Schels's ANIMAL PORTRAITS (Edition Stemmle), a cavalcade of goats, cats, primates, and others get the Avedon treatment, photographed in black-and-white and usually staring straight at the camera. It becomes hard not to read human character into the animals who "sit" for their portraits, when we see, for instance, the quizzical glance of a drooling cheetah, or the sedate, professorial pose of a bear.

If Schels creates portraits, the German photographer Pete Dine, in ANIMALS ON WHITE (Edition Stemmle), transforms his subjects into still-life, painstakingly shooting them in a portable all-white studio. The result highlights not ...

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