Xenakis: ... tireless renewal at every instant, at every death ...(Ian...
January 01, 2003
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Toward an interpretation of Xenakis's Nomos alpha.(Critical Essay)
January 01, 2003
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Xenakis in miniature: style and structure in a r. (Hommage a Ravel) fo...
January 01, 2003
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The writings of Iannis Xenakis (starting with Formalized Music).
January 01, 2003
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"Absolute purity projected into sound": Goeyvaerts, Heidegger and earl...
January 01, 2003
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Field notes: a study of fixed-pitch formations.
January 01, 2003
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David Lewin. (Editorial Notes).(passed away May 5, 2003)(Brief Article...
January 01, 2003
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Correspondence.(Letter to the Editor)
January 01, 2003
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Wolpe's inner beauty (a response to Christopher Hasty with three entri...
June 22, 2002
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A footnote to Hasty, Whitehead, and Plato: more thoughts on Stefan Wol...
June 22, 2002
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Hearing pentatonicism through serialism: integrating different traditi...
June 22, 2002
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Having your cake and eating it too: the property of reflection in twel...
June 22, 2002
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A response to Rhian Samuel.(Critical Essay)
June 22, 2002
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Errata.(Correction Notice)
June 22, 2002
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Wolpe Centennial essays.(Brief Article)
June 22, 2002
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Understanding Stefan Wolpe's musical forms.(Critical Essay)
June 22, 2002
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Analysis of form for Piano by Ralph Shapey.(Critical Essay)
June 22, 2002
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Stefan Wolpe's dialectical logic: a look at the Second Piece for Violi...
June 22, 2002
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Essays in actionism: Wolpe's pieces for three pianists.(Critical Essay...
June 22, 2002
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Wolpe and the poets of Black Mountain.(Stefan Wolpe at Black Mountain ...
June 22, 2002
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Broken sequences: fragmentation, abundance, beauty.(Stefan Wolpe's mus...
June 22, 2002
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Focusing on freedom and movement in music: methods of transcription in...
January 01, 2002
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From technical to technological: the imperative of technology in exper...
January 01, 2002
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The multiplicative norm and its implications for set-class theory.
January 01, 2002
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Review of Audible Traces.(Book Review)
January 01, 2002
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Worth noting: Roger Reynolds's Form and Method.(Book Review)
January 01, 2002
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The "Giant Steps" fragment.(musical composition)
June 22, 2001
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Adding pitches; some new thoughts, ten years after Perspectives of New...
June 22, 2001
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Listening to similarity relations.
June 22, 2001
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The soft-focus sound: reverb as a gendered attribute in mid-century mo...
June 22, 2001
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Afterword.(comments on intercultural communication through music)
June 22, 2001
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Kembangan in the music of Lou Harrison.
June 22, 2001
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The flowering of gending Agbekor: a musical collaboration with I Dewa ...
June 22, 2001
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Towards a space-time art: Iannis Xenakis's Polytopes.
June 22, 2001
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Residue-class sets in the music of Iannis Xenakis: an analytical algor...
June 22, 2001
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What is Plura-Monism?
June 22, 2001
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Counterpoint: A response to Bernard.(Jonathan Bernard)
January 01, 2001
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I see smoke, but where's the fire?
January 01, 2001
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The unity of Xenakis's instrumental and electroacoustic music: The cas...
January 01, 2001
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Xenakis.(Iannis Xenakis)
January 01, 2001
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The radiance of Iannis Xenakis (1922-2001).
January 01, 2001
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Iannis Xenakis: Regard, disregard; liberation.
January 01, 2001
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Formalized accelerando: an extension of rhythmic techniques in Nancarr...
January 01, 2001
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Music as anti-theatre: a text about some writings by John Rahn.
January 01, 2001
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Form and the concept album: aspects of modernism in Frank Zappa's earl...
January 01, 2001
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Negotiating the music-theory/African-music nexus: a political critique...
January 01, 2001
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Broken and Unbroken Interval Cycles and their Use in Determining Pitch...
June 22, 2000
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Dialogue De L'Ombre Double: Construction By Assemblage.(Pierre Boulez)...
June 22, 2000
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Reading the Runes.(deciphering first-draft scores of Peter Maxwell Dav...
June 22, 2000
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Stravagamza XIV for Piano.(Richard Swift)(Brief Article)
June 22, 2000
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Encomium.(Martin Boykan)(Brief Article)
June 22, 2000
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Fof Martin Boykan's Birthday Festschrift.(Brief Article)
June 22, 2000
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Fanfare for Marty.(2001 Goddard Lieberson Fellowship)(Brief Article)
June 22, 2000
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Invention: To Marty Boykan at 70.(Brief Article)
June 22, 2000
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A Musical Moment (I Hope) for Marty.
June 22, 2000
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To Martin Boykan on His Seventieth Birthday.(Brief Article)
June 22, 2000
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Echoes of Petrarch: Martin Boykan and Musical Narrative.
June 22, 2000
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For Marty.(Martin Boykan's Fourth String Quartet)(Brief Article)(Criti...
June 22, 2000
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Debussy's "Soupir": An Experiment in Permutational Analysis.(Critical ...
June 22, 2000
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Nancarrow's Canons: Projections of Temporal and Formal Structures.(Con...
June 22, 2000
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Balzano and Zweifel: Another Look at Generalized Diatonic Scales.
June 22, 2000
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REEXPERIENCING LANGUAGE ,AS A MUSIC REVISITED.
January 01, 2000
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A HYBRID COMPOSITIONAL SYSTEM: PITCH-CLASS COMPOSITION WITH TONAL SYNT...
January 01, 2000
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SEVEN STEPS TO HEAVEN: A SPECIES APPROACH TO TWENTIETH-CENTURY ANALYSI...
January 01, 2000
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HILDEGARD WESTERKAMP'S MOMENTS OF LAUGHTER: RECORDING CHILDHOOD, PERFO...
January 01, 2000
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MADNESS IN THE MUSIC THEATRE WORKS OF PETER MAXWELL DAVIES.(and influe...
January 01, 2000
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ON CONTEXTUAL TRANSFORMATIONS.(music)
January 01, 2000
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WORKING OUT THE "IS-TOS AND AS-TOS": LOU HARRISON'S FUGUE FOR PERCUSSI...
January 01, 2000
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NOTES FOR AN ANALYSIS OF THE CANTI DI LIBERAZIONE.(lecture by composer...
January 01, 2000
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