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JOAN FONTAINE'S HEIRESS.(actress, interpretation of "Beyond a Rea...
March 22, 2001
THE MAN IN THE PINK SHIRT.(actor Hugh Grant and British masculinity)(C...
March 22, 2001
JIM CARREY.(actor)(Critical Essay)
March 22, 2001
I WONDER WHATEVER BECAME OF ME?(examination of the Marx Brothers and t...
March 22, 2001
HIGH CLASS WHORE.(actress Hedy Lamarr)
March 22, 2001
THE CLASSICAL APPEAL OF ANTHONY HOPKINS.(actor)(Critical Essay)
March 22, 2001
FRANK AND FEARLESS.(photographing actress Joan Crawford by photojourna...
March 22, 2001
HAWKE ASCENDING.(actor Ethan Hawke)
March 22, 2001
STAR IMAGE ICON.
March 22, 2001
Eden and Beyond.(motion picture "Eden")(Critical Essay)
January 01, 2001
Beautiful People.(motion picture)(Critical Essay)
January 01, 2001
Handy-Dandy.("Susana," by Luis Bunuel)(Critical Essay)
January 01, 2001
Screwball and the Masquerade.(women masquerading in comic motion pictu...
January 01, 2001
The Same, But Different.(marriage in comic motion pictures)
January 01, 2001
Juan Carlos Tabio, Cuban Cinema and The Waiting List.(Critical Essay)
January 01, 2001
Platform.(Review)
January 01, 2001
Asian Fusion.(heroes in Japanese and Chinese films)(Correction Notice)
January 01, 2001
Amos Gital's Kippur.(Review)
January 01, 2001
Above and Beneath.(Review)
January 01, 2001
Diversity or Dumb Realism.(experimental films)(Critical Essay)
January 01, 2001
INTERVIEW WITH Fridrik Thor Fridriksson.(film director)(Interview)
January 01, 2001
IN THIS ISSUE.(Brief Article)
January 01, 2001
Humanist philosophy: interview(s) with Bruno Dumont.
February 01, 2000
Humanite.
February 01, 2000
Splendor.
February 01, 2000
Beau travail.
February 01, 2000
One piece: on (Hirokazu) Kore-eda, (Takeshi) Kitano and some lighter m...
February 01, 2000
How film exhibition has changed in the past 50 years: an interview wit...
February 01, 2000
Love and rage: Irish cinema of the 1990s.
February 01, 2000
Cinema by fits and starts: New Zealand film practices in the twentieth...
February 01, 2000
Raising "film avid": the happy teen from technotown.
February 01, 2000
Out of the depths and through the postmodern surface: history and clas...
February 01, 2000
Representing pre-millennial tensions: Hollywood's gendered invasion na...
February 01, 2000
Space invaders: speculations on the politics of post-modern space in r...
February 01, 2000
Ride-films and films as rides in contemporary Hollywood cinema of attr...
February 01, 2000
What happened?
February 01, 2000
Cat people and its two worlds.
January 01, 2000
Same tune again! Repetition and framing in Letter from an unknown woma...
January 01, 2000
I confess: photographs of people speaking.
January 01, 2000
Under Capricorn: Hitchcock in transition.
January 01, 2000
Running out of places: Fritz Lang's Clash by night.
January 01, 2000
Lang (Fritz) and Brecht (Berthold).
January 01, 2000
Douglas Sirk: 1900-1987.
January 01, 2000
Cinema of the dispersed Yugoslavs: diaspora in the making.
January 01, 2000
2001 revisited.
January 01, 2000
On and around My best friend's wedding.
January 01, 2000
Tomorrow is my birthday: placing apocalypse in millennial cinema.
January 01, 2000
Interracial tensions in Night of the living dead.
January 01, 2000
Monkey shines: (films of George A. Romero).
January 01, 2000
Chinese language films: the 24th Hong Kong International Film Festival...
January 01, 2000
Some arbitrary forays into the Toronto Film Festival.
January 01, 2000
Apocalypse movies: end of the world cinema.
January 01, 2000
Saying it with flowers: (movie American Beauty).
January 01, 2000
Postmodern cinema and the death of the hero.
January 01, 2000
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