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JOAN FONTAINE'S HEIRESS.(actress, interpretation of "Beyond a Rea... March 22, 2001
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THE MAN IN THE PINK SHIRT.(actor Hugh Grant and British masculinity)(C... March 22, 2001
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JIM CARREY.(actor)(Critical Essay) March 22, 2001
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I WONDER WHATEVER BECAME OF ME?(examination of the Marx Brothers and t... March 22, 2001
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HIGH CLASS WHORE.(actress Hedy Lamarr) March 22, 2001
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THE CLASSICAL APPEAL OF ANTHONY HOPKINS.(actor)(Critical Essay) March 22, 2001
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FRANK AND FEARLESS.(photographing actress Joan Crawford by photojourna... March 22, 2001
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HAWKE ASCENDING.(actor Ethan Hawke) March 22, 2001
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STAR IMAGE ICON. March 22, 2001
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Eden and Beyond.(motion picture "Eden")(Critical Essay) January 01, 2001
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Beautiful People.(motion picture)(Critical Essay) January 01, 2001
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Handy-Dandy.("Susana," by Luis Bunuel)(Critical Essay) January 01, 2001
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Screwball and the Masquerade.(women masquerading in comic motion pictu... January 01, 2001
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The Same, But Different.(marriage in comic motion pictures) January 01, 2001
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Juan Carlos Tabio, Cuban Cinema and The Waiting List.(Critical Essay) January 01, 2001
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Platform.(Review) January 01, 2001
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Asian Fusion.(heroes in Japanese and Chinese films)(Correction Notice) January 01, 2001
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Amos Gital's Kippur.(Review) January 01, 2001
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Above and Beneath.(Review) January 01, 2001
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Diversity or Dumb Realism.(experimental films)(Critical Essay) January 01, 2001
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INTERVIEW WITH Fridrik Thor Fridriksson.(film director)(Interview) January 01, 2001
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IN THIS ISSUE.(Brief Article) January 01, 2001
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Humanist philosophy: interview(s) with Bruno Dumont. February 01, 2000
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Humanite. February 01, 2000
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Splendor. February 01, 2000
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Beau travail. February 01, 2000
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One piece: on (Hirokazu) Kore-eda, (Takeshi) Kitano and some lighter m... February 01, 2000
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How film exhibition has changed in the past 50 years: an interview wit... February 01, 2000
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Love and rage: Irish cinema of the 1990s. February 01, 2000
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Cinema by fits and starts: New Zealand film practices in the twentieth... February 01, 2000
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Raising "film avid": the happy teen from technotown. February 01, 2000
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Out of the depths and through the postmodern surface: history and clas... February 01, 2000
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Representing pre-millennial tensions: Hollywood's gendered invasion na... February 01, 2000
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Space invaders: speculations on the politics of post-modern space in r... February 01, 2000
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Ride-films and films as rides in contemporary Hollywood cinema of attr... February 01, 2000
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What happened? February 01, 2000
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Cat people and its two worlds. January 01, 2000
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Same tune again! Repetition and framing in Letter from an unknown woma... January 01, 2000
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I confess: photographs of people speaking. January 01, 2000
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Under Capricorn: Hitchcock in transition. January 01, 2000
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Running out of places: Fritz Lang's Clash by night. January 01, 2000
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Lang (Fritz) and Brecht (Berthold). January 01, 2000
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Douglas Sirk: 1900-1987. January 01, 2000
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Cinema of the dispersed Yugoslavs: diaspora in the making. January 01, 2000
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2001 revisited. January 01, 2000
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On and around My best friend's wedding. January 01, 2000
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Tomorrow is my birthday: placing apocalypse in millennial cinema. January 01, 2000
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Interracial tensions in Night of the living dead. January 01, 2000
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Monkey shines: (films of George A. Romero). January 01, 2000
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Chinese language films: the 24th Hong Kong International Film Festival... January 01, 2000
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Some arbitrary forays into the Toronto Film Festival. January 01, 2000
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Apocalypse movies: end of the world cinema. January 01, 2000
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Saying it with flowers: (movie American Beauty). January 01, 2000
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Postmodern cinema and the death of the hero. January 01, 2000
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