"When we send up the praises": race, identity, and gospel music in Aug...
September 22, 2007
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Black pop songwriting 1963-1966: an analysis of U.S. top forty hits by...
September 22, 2007
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Black diasporic encounters: a study of the music of Fela Sowande.(Crit...
September 22, 2007
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The politicization of kwaito: from the "party politic" to party politi...
March 22, 2007
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Mode, melody, and harmony in traditional Afro-Cuban music: from Africa...
March 22, 2007
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Chappie Willet, Frank Fairfax, and Phil Edwards' Collegians: from West...
March 22, 2007
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"Joe'i Korsou?" (who is the true Curacaoan?): a musical dialogue on id...
September 22, 2006
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Errata.(Correction notice)
September 22, 2006
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Editor's introduction.(Editorial)
September 22, 2006
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The mulatta, the bishop, and dances in the Cathedral: race, music, and...
September 22, 2006
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The rhythmic component of afrocubanismo in the art music of Cuba.(Repo...
September 22, 2006
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Mass culture, commodification, and the consolidation of the Afro-Peruv...
September 22, 2006
|
Debuting her political voice: the lost opera of Shirley Graham.(The Mu...
March 22, 2006
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Editor's introduction.
March 22, 2006
|
Western University at Quindaro, Kansas (1865-1943) and its legacy of p...
March 22, 2006
|
Work the works: the role of African-American women in the development ...
March 22, 2006
|
"You sell your soul like you sell a piece of ass": rhythms of black fe...
March 22, 2006
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Editor's note.
March 22, 2005
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Questions of genre in black popular music.(Viewpoint essay)
March 22, 2005
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Bebop: a case in point. (The African Matrix in Jazz Harmonic Practices...
March 22, 2005
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Reflexive ethnography: an ethnomusicologist's experience as a jazz mus...
March 22, 2005
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This house, this music: exploring the interdependent interpretive rela...
March 22, 2005
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Representing America, instructing Europe: the Hampton choir tours Euro...
March 22, 2005
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The disappearing dance: maxixe's imperial erasure.
March 22, 2005
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Current research twelve years after the William Grant still centennial...
March 22, 2005
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The African matrix in jazz harmonic practices.
March 22, 2005
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Harry Burleigh as ethnomusicologist? Transcription, arranging, and the...
September 22, 2004
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The use of dialect in African-American spirituals, popular songs, and ...
September 22, 2004
|
The foundational influence of spirituals in African-American culture: ...
September 22, 2004
|
"A certain strangeness": Harry T. Burleigh's art songs and spiritual a...
September 22, 2004
|
Harry T. Burleigh, "one of Erie's most popular church singers".(Biogra...
September 22, 2004
|
The invisibility and fame of Harry T. Burleigh: retrospect and prospec...
September 22, 2004
|
Editor's introduction.(Harry T. Burleigh )(Editorial)
September 22, 2004
|
Editor's introduction.
March 22, 2004
|
Preliminary bibliography of best-known black Appalachian musicians.
March 22, 2004
|
Predicting black musical innovation and integration: the 1850 Mance In...
March 22, 2004
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A candle for queen Ida.(African-American Music of Appalachia)(Ida Prat...
March 22, 2003
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Musicology and linguistics: integrating the phraseology of text and tu...
September 22, 2002
|
Negotiating freedom: values and practices in contemporary improvised m...
September 22, 2002
|
Ethnicity, modernity, and retention in the Garifuna punta.
September 22, 2002
|
A thin blue line down central avenue: the LAPD and the demise of a mus...
September 22, 2002
|
Black Kings: aesthetic representation in Carnival in Trinidad and Lond...
September 22, 2002
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Hip-hop drumming: the rhyme may define, but the groove makes you move.
September 22, 2002
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Bridging South America and the United States in black music research.
March 22, 2002
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The steelband "own tune": nationalism, festivity, and musica...
March 22, 2002
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Nationalism and the soul: gospelypso as independence.
March 22, 2002
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Popular music and Martinican-Creole identity.
March 22, 2002
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"Nou Kwe nan Sentespri" (we believe in the Holy Spirit): mus...
March 22, 2002
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Musical thoughts on unresolved questions and recent findings in big dr...
March 22, 2002
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Future research.
September 22, 2001
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Requiem: Hiawatha in the 1920s and 1930s.
September 22, 2001
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Coleridge-Taylor and the orchestra.
September 22, 2001
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A Pan-African composer? Coleridge-Taylor and Africa.
September 22, 2001
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"That you came so far to see us": Coleridge-Taylor in America.
September 22, 2001
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From the student to composer: the chamber works.
September 22, 2001
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The marriage of Samuel Coleridge-Taylor and Jessie Walmisley.
September 22, 2001
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Samuel Coleridge-Taylor: the early years.
September 22, 2001
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Preface.
September 22, 2001
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Sounds of the "Third Way": identity and the African Renaissance in con...
March 22, 2001
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Aural archetypes and cyclic perspectives in the work of John Coltrane ...
March 22, 2001
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La melodie vaudoo--voodoo art songs: the genesis of a nationalist musi...
March 22, 2001
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The aesthetics of Duke Ellington's suites: the case of Togo Brava.(Cri...
March 22, 2001
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The sound world of Art Tatum.
September 22, 2000
|
Celebration or pathology? Commodity or art? The dilemma of African-Ame...
September 22, 2000
|
Black British cultural studies and the rap on gangsta.
September 22, 2000
|
The "zinc-fence thing": when will reggae album covers be allowed out o...
September 22, 2000
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Eugene Stratton and early ragtime in Britain.
September 22, 2000
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Voices of hate, sounds of hybridity: black music and the complexities ...
September 22, 2000
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Editor's introduction.(European scholarship on black music)(Editorial)
September 22, 2000
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Musical innovation in the blues of Blind Lemon Jefferson.
March 22, 2000
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The language of Blind Lemon Jefferson: the covert theme of blindness.
March 22, 2000
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Blind Lemon meets Leadbelly.(Blind Lemon Jefferson, Huddie Ledbetter)
March 22, 2000
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Blind Lemon Jefferson: the myth and the man.
March 22, 2000
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Editor's introduction.(Blind Lemon Jefferson)(Editorial)
March 22, 2000
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