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Review of Audible Traces.(Book Review)
THE COVER of this volume of essays bears a slightly out-of-focus photograph of a section of a quilt. An analogy is drawn between book and bedcover by editor(/photographer) Lydia Hamessley though she allows that, in comparison with a quilt, the collection "lacks a central focus-point." Co-editor Elaine Barkin, too, admits that "the search for a title was often vexing, insofar as neither of us was able to get a sharp fix on the 'aboutness' of the collection." This is understandable; what marks this American anthology out from many others devoted to feminist musicology and gender is the extent of the contribution of articles by composers, and of course, the fact that one of ...
- A response to Rhian Samuel.(Critical Essay)
- Magazine article from: Perspectives of New Music Barkin, Elaine June 22, 2002 700+ words
RHIAN SAMUEL'S REVIEW of Audible Traces: gender, identity, and music, edited by Lydia Hamessley...reviews of articles by Peter J. Rabinowitz, Su Zheng, and Judy Lochhead (238-40) are respectful, as are her brief comments on...
- A woman's (theoretical) work. (Towards A Feminist Music Theory)
- Magazine article from: Perspectives of New Music Guck, Marion A. January 1, 1994 700+ words
...willingness to address the less clear-cut aspects of perception in Elaine Barkin's analyses of Webern and Berger, and of Judy Lochhead's application of phenomenological method to musical analysis. Lately, I've been heartened by Claire Boge's examination...
- EDITORIAL NOTES.
- Magazine article from: Perspectives of New Music January 1, 1998 700+ words
...to James Buhler, Douglas Collins, Gary Don, Joel Durand, Gretchen Horlacher, Travis Jackson, Emily Snyder Laugesen, Judy Lochhead, Ingrid Monson, Jeff Nichols, Jann Pasler, Richard Rand, Francois Rose, Pieter van den Toorn.
- Toward an interpretation of Xenakis's Nomos alpha.(Critical Essay)
- Magazine article from: Perspectives of New Music Peck, Robert W. January 1, 2003 700+ words
...extremely rich in detail and design, yet how do these aspects translate into the field of interpretation? George Fisher and Judy Lochhead (1993, 5) state the general problem most succinctly: "The basic question thus becomes not what bearing analysis should...
- The Cambridge Companion to Berg.(Review)
- Magazine article from: Notes Simms, Bryan R. June 1, 1999 700+ words
...scarcely mentioned. Five additional chapters - written by Andrew Barker, Raymond Geuss, Patricia Hall, Douglas Jarman, and Judy Lochhead - address special topics. In "Battles of the Mind: Berg and the Cultural Politics of 'Vienna 1900,'" Barker surveys...
- Vito Acconci at Barbara Gladstone.(New York, New York)(Review of...
- Magazine article from: Art in America Marino, Melanie November 1, 1998 700+ words
...assorted recorded noises. In this work Acconci's body is placed largely outside the field of vision, leaving only audible traces of his presence. Is it the artist or the viewer who is meant to assume the role of sound engineer? In any case, in this...
- She accentuates film performances.(FEATURES)(ARTS)
- Newspaper article from: The Christian Science Monitor March 26, 2004 700+ words
...Himelstein's speech clients include Helen Mirren, Charlize Theron, and a handful of aspiring actors looking to erase all audible traces of Brooklyn, Sydney, or wherever they might have once called home. Ms. Dias, for example, visits Himelstein once a...
- A ((P)Re)View of Elaine Barkin's twenty-year retrospective collection of her...
- Magazine article from: Perspectives of New Music Boretz, Benjamin June 22, 1996 700+ words
...of New Music 30, no. 2 (1992) Notes for Diamanda Galas and her Plague Mass (1991) Rules of One's Own (1993) in Audible Traces (Edited by Elaine Barkin & Lydia Hammessley) (1998) endpaper by Benjamin Boretz e: a reading (1997) endpaper...
Source: HighBeam Research, Review of Audible Traces.(Book Review)