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Rethinking the Popular: Recent Essays on Caribbean Music and Identity. (Reviews).(8 books)

Latin American Music Review

| September 22, 1996 | Duany, Jorge | COPYRIGHT 1996 University of Texas at Austin (University of Texas Press). This material is published under license from the publisher through the Gale Group, Farmington Hills, Michigan.  All inquiries regarding rights should be directed to the Gale Group. (Hide copyright information)Copyright

HERNANDO CALVO OSPINA. iSalsa! Havana Beat, Bronx Beat. Translated by Nick Caistor. London: Latin America Bureau, 1995, p. 143. Photographs, notes, glossary, and index. Includes compact disk, cassette.

YVONNE DANIEL. Rumba: Dance and Social Change in Contemporary Cuba. Bloomington: Indiana University Press, 1995, p. 196. Photographs, illustrations, appendix, notes, bibliography, and index.

RUTH GLASSER. My Music is My Flag: Puerto Rican Musicians and their New York Communities, 1917-1940. Berkeley: University of California Press, 1995, p. 253. Map, photographs, illustrations, notes, bibliography, discography, and index.

PETER MANUEL, ED. Essays on Cuban Music: North American and Cuban Perspectives. Lanham, Md.: University Press of America, 1991, p. 327. Glossary and index.

PETER MANUEL, WITH KENNETH BILBY AND MICHAEL LARGEY. Caribbean Currents: Caribbean Music from Rumba to Reggae. Philadelphia: Temple University Press, 1995, p. 272. Map, photographs, illustrations, musical examples, glossary, notes, bibliography, discography, and index. Includes compact disk.

DEBORAH PACINI HERNANDEZ. Bachata: A Social History of Dominican Popular Music. Berkeley: University of California Press, 1995, p. 262 Photographs, notes, bibliography, discography, and index.

GUSTAVO PEREZ FIRMAT. Life on the Hyphen: The Cuban-American Way. Austin: University of Texas Press, 1994, p. 217. Photographs, notes, and index.

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