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Afterword.(comments on intercultural communication through music)

Perspectives of New Music

| June 22, 2001 | Barkin, Elaine | COPYRIGHT 2001 Perspectives of New Music. This material is published under license from the publisher through the Gale Group, Farmington Hills, Michigan.  All inquiries regarding rights should be directed to the Gale Group. (Hide copyright information)Copyright

ON THE EVENING of Monday, September 10, 2001, I was trying to figure out a way to revise the opening of this text. In all too many ways the opening was a cop-out, fancy but skirting the depths, a problem arising from the confusion and deadlock which overtake me when I begin thinking about (and here I quote from my original opening): "the compound Inter- Cross- Trans- Multi-Cultural landscape, and I am confronted with its abundance of blends, mixtures, conjunctions, fusions, hybrids, mutants--hyped and buzzed about, commodified worldwide, former fringe iconoclasm now the in-thing." That very abundance, the fruits of so much well-intentioned creative energy, so many starts, ...

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