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Reviewing a set of identities on face value is a rather thankless task. Even if you compare them, without knowing what they are supposed to stand for or what context they are used in, only a rather light-hearted and subjective view or acute aesthetic academics can apply. Being a brand consultancy, we appreciate that a logo doth not the brand make. Even if you have a corporate identity system, it's only the tip of the iceberg.
We took an immediate and humorous view and asked ourselves: 'When reacting to the marques emotionally - where might they live?' We then created examples of how the logos might be used. As our own identity is a simply configured logotype (people often think we work for Rolf Collins or Wilf Olsen), we pick up any stones in this glasshouse with our tongues firmly in our cheeks.
JWT - created 1864
Probably the most traditional of all agency logos, J. Walter Thompson was founded in New York in 1864 as the Carlton & Smith agency and was bought out by one James Walter Thompson in 1877. Thompson renamed the agency after himself and transformed it into a business with billings of dollars 3 million, before selling it in 1916. JWT was bought in 1986 by Sir Martin Sorrell's WPP. Copies of Thompson's original signature prove that the logo is a standard copy. In shortened version, the initials JWT have been used in the past, together with a ring around them - sometimes more circular, sometimes a little more oval. Thompson himself used an elaborate icon of a wise owl holding the lamp of knowledge, but the owl and its author both went to roost long ago.
Edge and Laughton say ...
J. Walter Thompson's signature logo, although cleaned up and artworked, heralds similar qualities to the Coca-Cola marque: American, original, big with a reassuring promise of heritage. You can imagine Mr Thompson himself signing off the latest Kit Kat campaign - or lunch bill at The Ivy - using this headed paper.
BBH - created 1982