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Encomium.(Martin Boykan)(Brief Article)

Perspectives of New Music

| June 22, 2000 | Roens, Steven | COPYRIGHT 2000 Perspectives of New Music. This material is published under license from the publisher through the Gale Group, Farmington Hills, Michigan.  All inquiries regarding rights should be directed to the Gale Group. (Hide copyright information)Copyright

AS A STUDENT at Brandeis in the 1970s, I had the good fortune to take a number of Martin Boykan's classes (in fact, anything I could find that he taught). From his course on the Schoenberg Trio to his composition seminar, to his proseminar in tonal composition (in which he demonstrated a sensitivity to the subtleties of the tonal literature that held us in awe), he gave his students an exceptionally intelligent and insightful perspective on music.

Analysis classes began with a dialogue that elicited contributions from the students and usually ended with a dramatic revelation as Boykan assembled the ideas that had been the subject of the last hour's discussion into a beautifully coherent reading of the music we had been studying.

In composition seminars his almost frighteningly perceptive ear caused him to find things that, even in my own music, I hadn't been aware of.

And if I, or someone else, took a wrong turn in a piece, he would, in his ...

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