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Anne Sofie von Otter. (Recital).(Review)

Opera News

| December 01, 2001 | Madison, William V. | COPYRIGHT 2001 Metropolitan Opera Guild, Inc. This material is published under license from the publisher through the Gale Group, Farmington Hills, Michigan.  All inquiries regarding rights should be directed to the Gale Group. (Hide copyright information)Copyright

[] "BEETHOVEN/MEYERBEER/SPOHR" With Tan, fortepiano. Texts and translations. Archiv 289 469 074-2

Each new recital album from Anne Sofie von Otter seems a quietly personal statement, reflecting her wide-ranging tastes and curiosity. Intrigued by a piece of music, she latches onto it, examines it from all sides, then presents it, confident we'll be as fascinated as she. She possesses keen musicianship, awe-inspiring linguistic skills and a supple mezzo adaptable to any style from Monteverdi to McCartney. At her best, she goes directly to the heart of a song -- no detours, no excess.

The current album embraces both familiar and lesser-known songs by Beethoven, Meyerbeer and Spohr. A few numbers engage von Otter's intellect alone; one piece -- Meyerbeeer's fatally twee tribute to a ballerina, "Fille de l'air" -- should return to the archive. Yet the singer's cool elegance prevails in this Romantic repertoire, and she limns a variety of moods and characters charmingly. When the songs (mostly those by Beethoven) permit a deeper emotional or spiritual connection, she seizes it.

It's unfair to Meyerbeer and Spohr to sandwich Beethoven's works between theirs; the ...

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