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Matthew Polenzani, whose buoyant Steersman and ardent Jaquino earned kudos during the Met's 2000-01 season, sings his first David in this month's Die Meistersinger. Polenzani has the kind of sweet, ringing timbre and ease of projection that make these supporting-tenor roles seem the equal of their top-billed counterparts.
This past spring, he got the chance to show his stuff in a lead role -- Lindoro in the Met's L'Italiana in Algeri -- and sailed through the opening scenes with a beauty of tone that never diminished in the face of coloratura hurdles. It wasn't as easy as it sounded. "That role is scary. It's not that I can't do it, but it's not for me in the way other things are for me. I've since turned it down twice, and I'll never do it again. Unless -- my wife, Rosa Maria Pascarella, is a mezzo, and if she's the Isabella...."
In the mean time, admirers of Polenzani's Rossini needn't despair. "I'm moving into slightly heavier rep, but I'd never leave Mozart behind -- or Rossini. I have plans to do [Almaviva in] Barber through 2004 [including at the Met this season]. I don't want to stretch myself in one direction only." He has already taken on ...