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Sound bites.(Matthew Polenzani)(Brief Article)

Opera News

| December 01, 2001 | Guinther, Louise T. | COPYRIGHT 2001 Metropolitan Opera Guild, Inc. This material is published under license from the publisher through the Gale Group, Farmington Hills, Michigan.  All inquiries regarding rights should be directed to the Gale Group. (Hide copyright information)Copyright

Matthew Polenzani, whose buoyant Steersman and ardent Jaquino earned kudos during the Met's 2000-01 season, sings his first David in this month's Die Meistersinger. Polenzani has the kind of sweet, ringing timbre and ease of projection that make these supporting-tenor roles seem the equal of their top-billed counterparts.

This past spring, he got the chance to show his stuff in a lead role -- Lindoro in the Met's L'Italiana in Algeri -- and sailed through the opening scenes with a beauty of tone that never diminished in the face of coloratura hurdles. It wasn't as easy as it sounded. "That role is scary. It's not that I can't do it, but it's not for me in the way other things are for me. I've since turned it down twice, and I'll never do it again. Unless -- my wife, Rosa Maria Pascarella, is a mezzo, and if she's the Isabella...."

In the mean time, admirers of Polenzani's Rossini needn't despair. "I'm moving into slightly heavier rep, but I'd never leave Mozart behind -- or Rossini. I have plans to do [Almaviva in] Barber through 2004 [including at the Met this season]. I don't want to stretch myself in one direction only." He has already taken on ...

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