Persepolis.(Review)

Iannis Xenakis: Persepolis

Compact disc, 2000, FractalOX; available from Fractal Records, 26 rue Garnier, 92200 Neuilly-sur-Seine, France; fax (+33) 1-4745-1702; electronic mail fractal.rec@wanadoo.fr; World Wide Web www.fractal-records.com

Over some forty years, Iannis Xenakis created a series of seminal electroacoustic works, along with much else. Most of these pieces are now available on compact disc after languishing for many years as out-of-print LPs or as original tapes never released at all. Persepolis, after Kraanerg--a ballet for chamber orchestra and tape from 1969--is his longest continuous work. It had been available on the Philips label, but the LP, unfortunately, presented a distorted version of the piece, breaking it in half and cutting about ten minutes of material in order to make it fit onto two sides of vinyl. At long last, this impressive work is available in its uncut, uninterrupted glory (although the eight tracks of the original have obviously been mixed down to two).

Back in 1968-1969, at the height of the social activism that swept through Europe and the United States, Mr. Xenakis, well-known as a revolutionary in Greece during the period of World War II and after, was something of a figurehead, at least in Paris. Somehow, in spite of that, and for reasons that remain murky, he struck up a fruitful association with the Shah and Empress of Iran. His percussion piece, Persephassa, was premiered at the first Shiraz Festival in 1969, held in the picturesque setting of Persepolis, an archeological site in the desert of Iran. This center was important to the ancient Persian dynasty, and the modern Shah, for political as well as artistic motives, was seeking to reinforce pre-Islamic culture and combine it with Western modern artistic concerns. Mr. Xenakis, with his own attachment to the ancient civilization of his native Greece, as well as his leadership in the avant-garde, was a good match to the aims of the festival. His percussion ensemble piece, which surrounds the audience with six performers, was a major success, and he was given relatively free rein to create an even more ambitious work for the 1971 Shiraz Festival, which would celebrate the 2500th anniversary of the Persian monarchy. The invited audience was to include royalty ...