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No Nukes.(how director Tim Robbins incorporates conspiracy into plots of his films)

National Review

| March 19, 2001 | Wattenberg, Daniel | COPYRIGHT 2001 National Review, Inc. This material is published under license from the publisher through the Gale Group, Farmington Hills, Michigan.  All inquiries regarding rights should be directed to the Gale Group. (Hide copyright information)Copyright

In the imagination of Tim Robbins, there are no accidents.

His movies seethe with conspiracies-right-wing conspiracies, vast right-wing conspiracies so scary that Sid Blumenthal should not see them without a parent or other accompanying adult.

In his recent film AntiTrust, Robbins plays Gary Winston, a paranoid and predatory software tycoon loosely based on Microsoft chairman and chief technol-the hell with it, it's an impersonation of Bill Gates. A visionary technogeek, Winston runs the Pacific Northwest corporate campus of his monopolistic NURV (Never Underestimate Radical Vision) like a cross between Jonestown and the Manhattan Project. In his drive to meet the launch deadline for Synapse, a new software application that will link all communications devices in one all-enveloping web, he arranges for the murder of competitors whom he cannot co-opt.

For Robbins, a 42-year-old actor-activist-writer-director-Nation Institute board member, the role of a crypto-right-wing monster is no stretch. In fact, it is a career:

-- In Arlington Road, Robbins played an outwardly neighborly shopping- mall architect who secretly masterminds an antigovernment terror network and plots to blow up the FBI building.

-- In Bob Roberts, which Robbins wrote and directed, he played a folk- singing "New Right" Senate candidate who will stop at nothing to get elected.

-- In Cradle Will Rock, which he also wrote and directed, right-wing know-nothings from the House Un-American Activities Committee stop the Federal Theater Project's production of The Cradle Will Rock, a proletarian musical by Communist composer Marc Blitzstein.

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