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John Donne and Scholarly Melancholy.(Critical Essay)

Studies in English Literature, 1500-1900

| January 01, 2000 | TREVOR, DOUGLAS | COPYRIGHT 2000 Rice University. This material is published under license from the publisher through the Gale Group, Farmington Hills, Michigan.  All inquiries regarding rights should be directed to the Gale Group. (Hide copyright information)Copyright

Donne is in a sense a psychologist.

-T. S. Eliot

Throughout his life, John Donne's prose and poetry are filled with references to, as well as accounts of, his self-understanding as a melancholic. [1] If we take his self-professed depressive tendencies as seriously as his devotional meditations, we find that the two are interlinked: Donne often describes ecstatic religious experience with the same metaphors of earthly instability and material metamorphoses he uses to catalogue his melancholic, self-destructive inclinations. Like Soren Kierkegaard, who will praise Christian belief in part because it entails great suffering, Donne is inclined to equate unhappiness with spiritual redemption.

Modern thinkers interested in depression have often commented on the circular nature of religious despair. According to Julia Kristeva, "the implicitness of love and consequently of reconciliation and forgiveness completely transforms the scope of Christian initiation by giving it an aura of glory and unwavering hope for those who believe. Christian faith appears then as an antidote to hiatus and depression, along with hiatus and depression and starting from them." [2] Donne uncovers a similar pattern in Holy Sonnet III("O might those sighes and teares returne againe"):

To (poore) me is allow'd

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