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In late afternoon on icy winter days, an unearthly blue appears over Mount Ascutney overlooking the Connecticut River Valley in Vermont. The blue is deeper than any ocean, airier than any cloud. Suggestive of an infinite twilight, it seems to offer a window into some private Arcadia beyond the horizon. This cobalt color, though often captured on one artist's canvases, is rarely seen in museums. Instead, for more than 80 years, it has graced prints and calendars in living rooms, dens and especially college dorms.
"Oh, they're a-hanging Maxfield Parrish in the village," rang a witty campus ballad in the 1920s. And in prints hung on dorm walls across America, that ...