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Buttermilk Channel.(Restaurant review)

The New Yorker

| March 23, 2009 | Thompson, Andrea | COPYRIGHT 2009 All rights reserved. Reproduced by permission of The Condé Nast Publications Inc. This material is published under license from the publisher through the Gale Group, Farmington Hills, Michigan.  All inquiries regarding rights should be directed to the Gale Group. (Hide copyright information)Copyright

This is a restaurant determined to be of and for its neighborhood. Its name refers to the stretch of water between Governors Island and Brooklyn (there's a helpful map on the back of the menu). The decor is simple--an unadorned brick wall, paned windows, two big mirrors--though there are touches of whimsy: a goldfish bowl on a shelf above the bar, draped with a dog tag ("Ackerman"), its lone inhabitant circling underneath a miniature disco ball. The prices are reasonable, the beers are from New York state, and there's a Merlot made by Brooklyn Oenology, based in Greenpoint ("They don't actually grow the grapes there," a waitress noted). The bathroom harbors a poster for "Cowboy from Brooklyn" (Dick Powell, Priscilla Lane, Ronald Reagan), which might be more instructive than intended. It's the story of a man pretending to be something he is not; there's a sense, at times, that Buttermilk Channel works awfully hard to appear effortlessly congenial. You can't fault the restaurant for popularity, but a three-hour wait for a table doesn't seem very neighborly.

Despite the friendliness of the staff and the owner, Doug Crowell, who is an indefatigably cheerful presence, the feeling persists on the scattershot menu--fried chicken and waffles here, herb-crusted hake there. The former was juicy, though the exterior was almost ...

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