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A Lonesome Death.(The Talk of the Town)(Lonesome Death of Hattie Carroll)

The New Yorker

| January 26, 2009 | Simon, David | COPYRIGHT 2009 All rights reserved. Reproduced by permission of The Condé Nast Publications Inc. This material is published under license from the publisher through the Gale Group, Farmington Hills, Michigan.  All inquiries regarding rights should be directed to the Gale Group. (Hide copyright information)Copyright

In February of 1963, twenty-four-year-old William Zantzinger, armed with a toy carnival cane and wrecked on whiskey, made a spectacle of himself at the Spinsters' Ball at the Emerson Hotel in Baltimore. He was a drunken country mouse in the big city, at a time when the notion of racial equality had barely shown itself in the neighborhood of his father's tobacco farm. When the hotel's black waitstaff was slow to serve Zantzinger another drink, he yelled racial epithets at Hattie Carroll, a barmaid and a fifty-one-year-old mother of eleven, and he rapped her on the shoulder with his cane. She became upset, then collapsed and died of a stroke.

Bob Dylan read about the case in the newspaper. He wrote the magnificent "Lonesome Death of Hattie Carroll" with the paper splayed on the table of a Seventh Avenue luncheonette. Zantzinger was then and forever after a master villain.

Twenty-five years later, I tried to interview him for a newspaper story. He was working in a real-estate office (there was an equal-housing sticker on the door), and I found Zantzinger a disappointing lump of a man, with small dark eyes and black hair thinning from behind. The eyes followed me angrily as I offered up my two-sides-to-every-story patter, trying to get him to talk.

"There was a girl come down here from Baltimore five years ago," he said. "I didn't talk to her. And one before that. I got nothing to say."

I tried trashing Dylan: "That son of a bitch libelled you. You could've sued his ass for what he did." Zantzinger smiled. "We were gonna sue him big time. Scared that boy good!" he said. "The song was a lie. Just a damned lie."

He enjoyed talking about how his lawyer had fired shots across Dylan's bow. Columbia Records was on the receiving end as well, Zantzinger said, adding that he dropped the idea of a lawsuit because, after being convicted of manslaughter and assault, he'd seen enough of courtrooms and controversy.

By then, too, there was little left of Zantzinger's reputation. But even a dispassionate reading of the facts of the case leads one to conclude that Dylan took great liberties. Hattie Carroll was not "slain by a cane" that was "doomed and determined to destroy all the gentle," as Dylan wrote. No physical injury was done to her, nor was there any evidence to suggest lethal intent. The medical examiner's report--citing Carroll's enlarged heart and severe hypertension--attributed her death as much to ...

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