The fiction of solidarity: transfronterista feminisms and anti-imperialist struggles in Central American transnational narratives.(Critical essay)

IN THE 1980S AND 1990S, Chicana/Latina feminist cultural activists who were critical of U.S. intervention and imperialism in Central America engaged in the production of what I have called "solidarity fictions," or "fictions of solidarity." During those decades, the United States provided military and economic aid to Central American regimes, particularly in E1 Salvador, Guatemala, Honduras, and Nicaragua, to fund wars of genocide and general destruction. As a consequence, many Central Americans sought asylum in the United States as refugees, political exiles, and immigrants. In the heat of that moment, Chicana/Latina writers and critics began to document the deaths, displacements, and border crossings of thousands of Central Americans fleeing civil wars fought between U.S.-supported right-wing governments and leftist guerrilla organizations. Their work produced a narrative of solidarity voicing critical feminist readings of the United States as an imperialist and neocolonial power, thus participating in the construction of a transnational Third World, or "Women of Color" cross-border, anti-colonial feminist discourse and movement. Engaging with transfronterista feminist discourses, agendas, and practices, these solidarity narratives, however, might now be examined in the context of the transnationalization of Chicana feminisms in the 1980s and 1990s when Central American(a)s through their own struggles, histories, and agencies contributed to the radical transformation and politicization of U.S. Latina/o communities.

In this essay, I revisit the production of Chicana/Latina feminist narratives identified with anti-imperialist struggles and hemispheric solidarity movements in Central America in the 1980s and 1990s. (1) Through their texts, transfronterista feminists such as Gloria Anzaldua, Ana Castillo, Carole Fernandez, Graciela Limon, Demetria Martinez, Cherrie Moraga, Lourdes Portillo, Nina Serrano, Alma Villanueva, and Helena Maria Viramontes, among others, not only challenged U.S. hegemony in the Western hemisphere, but also resisted the enforcement of multiple borders across the Americas (2). In the process, they transnationalized Chicana/Latina struggles, histories, discourses, and feminisms beyond the U.S.-Mexico borderlands. However, their tmnsfronterista feminist logic and anti-colonial imperative, while appealing to transnational Third World feminist struggles and affinities, produced a "fiction of solidarity" predicated on Chicana/Mexicana subjectivities. Examining the production of many of these solidarity fictions, and especially Portillo and Serrano's film, After the Earthquake, and Martinez's semi-autobiographical novel, Mother Tongue, this essay seeks to shift the primary focus of Chicana/o resistance, resilience, and hybrid borderizations that has shaped many Chicana/Latina narratives about the wars in Central America and to rethink transfronterista alliances and narratives in the Americas from a Central American subjective location.

CHICANA SOLIDARITY WITH CENTRAL AMERICA

The particular historical context explored in this essay is the intersection, as of the 1980s, of Chicana/Latina cultural activists, who took on anti-colonial and anti-imperialist struggles against forces that would undo the promise of cross-hemispheric feminist solidarity and affinity building. This contact zone of sorts permitted Chicana writers, scholars, and activists to challenge borders imposed by U.S. imperialism and border regimes, starting with 1848, when the northern territories of Mexico were territorialized (taken) by the United States. Henceforth, if not before, the Caribbean and Central America, each in their own turn, have been subjected to U.S. imperialist and empire-building forces. (3) Situated within this conflicted history, Chicana, Latina, and Central American feminists may be said to share a common imperialist history and anti-imperialist struggle, or what Anzaldua identifies as "a broader communal ground among Latinas/os." (4) In this hemispheric borderlands of sorts, Chicanas, Latinas, and Central Americanas may participate in the elaboration of cross-border, or transfornterista, affinities, alliances, and solidarities. It is at this juncture that Chicana/Latina transfronterista feminists produce a unique mixed blend of solidarity fictions to forge alliances and work across geopolitical borders, bridge local and global struggles, and challenge neocolonial and imperialist forces at work across the Americas.

With the expansion and diversification of Latina/o communities in the United States and with the hemispheric coalition building of feminists across the Americas as of the 1980s, Chicana/Latina feminisms begin to be (re)shaped by the larger spectrum of Latinidades and the increasing complexities of heterogeneous Latina struggles. The work of Sonia Saldivar-Hull is exemplary. In her essay, "Feminism on the Border: From Gender Politics to Geopolitics," and again in her book, Feminism on the Border: Chicana Gender Politics and Literature, she describes the agenda of transfronteristas, or cross-border feminists, as challenging power dynamics that directly structure women's lives in the physical and symbolic Chicana/Latina borderlands. Saldivar-Hull argues that Chicana and Latina feminist practices must foreground the possibilities of forging "internationalist connection with women in Latin American and other Third World countries." According to Saldivar-Hull, mestizas throughout the Western hemisphere are linked by their historic positions within multiple forms of exploitation, oppression, and resistance, as well as by their "struggles against the hegemony of the United States," that is, U.S. imperialism. Consequently, Chicanas/Latinas in the United States are in a position to build "transnational solidarity with other working-class people who like all non-indigenous tribes are immigrants who come to the United States." In an act of solidarity, Saldivar-Hull concludes Feminism on the Border with a brief epilogue focusing primarily on the testimonial voices of Maya Nobel Peace Prize winner Rigoberta Menchu, Honduran labor activist Elvia Alvarado, and Bolivian mining community leader Domitila Barrios de Chungara. (5)