Chesterton's marvelous year.(books, arts & manners)(G. K. Chesterton)

IT is just a hundred years ago that one of the noblest and wittiest thinkers ever to write in our language, G. K. Chesterton, burst upon the scene with two masterworks. He is impossible to categorize in our specialized subject-area pigeonholes: He wrote vast amounts across a wide horizon, and must ultimately be categorized simply as a writer. In 1908 Chesterton published, among other things, two of the great works of modern literature, his novel The Man Who Was Thursday and his apologetic credo Orthodoxy. His essays and incidental journalism were also represented in a collection that same year, titled All Things Considered. Those who were already familiar with Chesterton knew him through his regular columns in the London Daily News and The Illustrated London News; in 1909 Mohandas Gandhi read one of his Illustrated London News columns, was deeply affected by it, translated it into Gujarati, and wrote a book based on it, Hind Swaraj, that gave a decisive shape to subsequent Indian national self-determination.

But although Chesterton had already made a literary mark before 1908--in his journalism, a novel, stories, apologetics, and now-classic studies of Robert Browning and Charles Dickens ("the most enlightening portrait of Dickens that I have ever read," wrote V. S. Pritchett)--1908 was his annus mirabilis. The wise and witty Orthodoxy proved to be not only a classic nonsectarian defense of the Christian religion, and a forerunner to his admirer C. S. Lewis's Mere Christianity, but also a work for which large philosophical and scientific claims have subsequently been made by highly informed writers, including the physicist-philosopher Stanley L. Jaki and Martin Gardner--a longtime contributor to Scientific American and himself one of America's "great intellects," according to Douglas Hofstadter--who reprinted a large selection of Orthodoxy in his Great Essays in Science in 1957 and has since then been one of Chesterton's chief proponents.

Martin Gardner went on to publish an Annotated Man Who Was Thursday, but this should not be allowed to give the impression that this novel is long, dense, involuted, and in need of a commentary. On the contrary, it is brief, fast-paced, and exuberant. Kingsley Amis called it "the most thrilling book that I have ever read," and went on to say that he found it "as stunning on a fiftieth reading as on a first." Anthony Burgess claimed that Chesterton was among the very few 20th-century writers who were able "to teach and please at the same time," the traditional vocation of the greatest of writers.

The Man Who Was Thursday might at first be mistaken for a jeu d'esprit, a lighthearted lark; and much of its charm does reside in its velocity and cleverness and fantasy. Yet its deeper aims concern the epistemological, ethical, and religious skepticism that issued from the writings of Darwin and Nietzsche and that are with us still in deepened and even more toxic forms, forms that in fact dominate the academy and commercial entertainment culture today. The book takes the form of a fantasy, in the words of the subtitle "a nightmare"; its nightmare looks prescient but mild in comparison with the events of European and world history since 1908. Its assumption is that the Christian, democratic, liberal, and revolutionary hopes of the 1776-1871 period, which overlapped but intermittently battled and battered each other nearly to death, were all idealistic and in some degree noble, but were succeeded by Social Darwinist, Nietzschean, "progressive," statist, and relativist ideas that were lethal, in the short and long run, to human flourishing and even to human sanity.

Chesterton was a "liberal" in the sense of believing in human liberty in a moral cosmos--as opposed to the context of a subhuman, chaotic, or deterministic interplay of "chance and necessity." The novel turns on what he called elsewhere "the pivot of the human will," the desire of each of us to live a purposeful, and morally and intellectually ...