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ON the air from 1966 until WFB himself brought it to a close in 1999--"The end of the millennium," he said, "kind of makes sense"--Firing Line was the longest-running program in television history whose host never changed. How did a cerebral show devoted to policy and culture set such a record?
I was twice a guest, sat in the control room during several tapings, and pored over scores of transcripts to help WFB edit his 1989 book, On the Firing Line. Here is what I learned.
As a guest: Before the cameras rolled, WFB would offer his interviewees a moment or two of small talk, not a briefing. Although he would have looked over a stack of research, he would have committed to his clipboard only a few notes. When he received his cue, WFB would swivel to the camera to read his introduction, the one item he would always have typed word for word, then swivel to you to ask the first question. You would reply as best you could. WFB would spend the rest of the hour making it up.
Spontaneity, freshness, unpredictability. WFB was to television what Louis Armstrong was to the trumpet: a master of sustained improvisation.
In the control room: Watching WFB from different angles on an array of screens, what struck you was how totally he commanded the frame. The blue eyes, the slouch, the boyish ...
Source: HighBeam Research, Improviser.(Remembering WFB)(William F. Buckley, Jr.)(In memoriam)