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Animal control: visual effects studios pilot CG animal actors through virtual environments to help create a parallel universe for The Golden Compass.(Visual Effects)

Computer Graphics World

| December 01, 2007 | Robertson, Barbara | COPYRIGHT 2007 PennWell Publishing Corp. This material is published under license from the publisher through the Gale Group, Farmington Hills, Michigan.  All inquiries regarding rights should be directed to the Gale Group. (Hide copyright information)Copyright

Director-screenwriter Chris Weitz almost didn't make New Line's The Golden Compass. After finishing the script in 2004, he removed himself as director, citing technical challenges that were more than he could undertake. In May 2006, after his replacement resigned, he changed his mind. But not because there were fewer technical challenges. When production wrapped in November 2007, Weitz's adaptation of the first novel in Philip Pullman's His Dark Materials trilogy contained approximately 1100 visual effects shots, and that number barely hints at the volume of work.

"[The shot count] grew to more than 1400," says visual effects supervisor Mike Fink, "and then it ...

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