AccessMyLibrary provides FREE access to over 30 million articles from top publications available through your library.
Create a link to this page
Copy and paste this link tag into your Web page or blog:
Director-screenwriter Chris Weitz almost didn't make New Line's The Golden Compass. After finishing the script in 2004, he removed himself as director, citing technical challenges that were more than he could undertake. In May 2006, after his replacement resigned, he changed his mind. But not because there were fewer technical challenges. When production wrapped in November 2007, Weitz's adaptation of the first novel in Philip Pullman's His Dark Materials trilogy contained approximately 1100 visual effects shots, and that number barely hints at the volume of work.
"[The shot count] grew to more than 1400," says visual effects supervisor Mike Fink, "and then it ...