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The canon of ethnomusicology: is there one?

Notes

| December 01, 2007 | Danielson, Virginia | COPYRIGHT 2007 Music Library Association, Inc. This material is published under license from the publisher through the Gale Group, Farmington Hills, Michigan.  All inquiries regarding rights should be directed to the Gale Group. (Hide copyright information)Copyright

At first glance, the study of ethnomusicology would seem to be anti-canonical in its essence. As a field of study (if not as a discipline), it has certainly challenged the notion that only selected repertories--most usually the historic "classical" musics of Europe, but also "classical" musics in general--merit systematic and categorical inclusion in research and teaching programs.

As programs in ethnomusicology have developed and the related matters of publication and curriculum become institutionalized, however, at least in North America, patterns have emerged that might be viewed as "canonical." As patterns indicative of intellectual history, if not ...

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