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Coco Montoya.(RIFFS: Blues)(Interview)

Guitar Player

| May 01, 2007 | Rubin, Dave | COPYRIGHT 2007 New Bay Media. This material is published under license from the publisher through the Gale Group, Farmington Hills, Michigan.  All inquiries regarding rights should be directed to the Gale Group. (Hide copyright information)Copyright

HENRY "COCO" MONTOYA IS ONE OF THOSE exemplary players who bend their awesome technique to fit their artistic expression. The 55-year-old bluesman was originally a drummer who only fooled around with the guitar on the side. He landed a five-year stint drumming for Albert Collins in the early, '70s, and the "Master of the Telecaster" proved to be the perfect guitar mentor, guiding his left-handed protege to a gig with John Mayall and his new Bluesbreakers in 1983. In 1993, Montoya finally went solo. Three rocking albums on Blind Pig in the mid '90s--and, ironically, receiving the Handy Award for Best New Blues Artist in 1996--were followed by a move to Alligator in 2000. Dirty Deal [Alligator] is Montoya's bluesiest and gutsiest release to date.

Have you always played left-handed and upside down?

Yeah. I never knew any better. I started playing around 12, and we didn't have money for lessons or things like that, so I was too insecure to let anyone see me play. I never knew there was either a right- or left-handed way to play. Also, if you watch me, I'm pretty basic--just pentatonic. There's nothing flashy there. On a technical level, I know what I know, and what I allowed myself to know. That's the drawback of being strictly self-taught, and it's why I encourage people to learn more about the guitar than I did. My whole game has been listening, watching and applying.

When did you first realize that Albert King also played left-handed and upside down?

Not until I saw him. That's also when I realized that what Eric Clapton and John Mayall were playing didn't come from England [laughs]. When I saw Albert King--with his patent leather shoes and all--he just reached in, grabbed my heart and soul, twisted them around, and stuffed them back in me. I had tears in my eyes. This was what Eric was doing with Cream, but better. I looked at King, and I thought, "He's playing the way I do." Of course, I later realized, "No, I play the way he does."

Describe your vibrato technique.

Most of it is rocking the web between my thumb and index finger against the back of the neck. I don't hook my thumb over the neck because I am pulling down like Albert King, rather ...

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Source: HighBeam Research, Coco Montoya.(RIFFS: Blues)(Interview)

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