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When Betty Friedan wrote "The Feminine Mystique," forty-four years ago, she did more than launch a revolution by identifying "the problem that has no name"--the crushing ennui of the modern housewife. She also invited a bit of wordplay that has proved irresistible both to her detractors and to her would-be successors. If "The Feminine Mystique" has acquired the status of a classic, the various iterations of "The Feminine Mistake" have provided something of a barometer of a shifting cultural climate.
In 1967, "Alice in Womanland, or The Feminine Mistake," by the pseudonymous Margaret Bennett, provided a satirical overview of the condition of the American woman, ...