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How to Sell the Joke; Two photography shows make the humor pop.

Newsweek International

| February 05, 2007 | Yabroff, Jennie | COPYRIGHT 2007 Newsweek, Inc. All rights reserved. Any reuse, distribution or alteration without express written permission of Newsweek is prohibited. For permission: www.newsweek.com. This material is published under license from the publisher through the Gale Group, Farmington Hills, Michigan.  All inquiries regarding rights should be directed to the Gale Group. (Hide copyright information)Copyright

Byline: Jennie Yabroff

In a happy accident of geography, two shows in midtown Manhattan present work by three of the most iconic street photographers of the past century. Many photos are familiar, but considered as a group, the pictures appear fresh--and remarkably funny. The comedy is inherent in Elliott Erwitt's photographs at the Edwynn Houk Gallery (through Feb. 23); around the corner at Laurence Miller Gallery, the humor becomes apparent mainly in the juxtaposition of the works by Diane Arbus and Helen Levitt (through March 10).

Levitt, who photographed New York street scenes in the 1930s and ' 40s, predated Arbus by a generation, yet anticipated many of Arbus's obsessions: children, couples, family life and solitude. The exhibit pairs 20 black-and-white Arbus images with similar-ly themed shots by Levitt. While Arbus is known for chronicling humanity at its most undefended, Levitt's gaze is tender, leavening the impact of Arbus's work. One of Arbus's best-known pictures, a 1970 shot of a dwarf wearing a fedora and towel, is paired with Levitt's 1959 picture of a diapered baby with drawn-on eyebrows and mustache. In the context ...

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