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Bed reading.(on the right)(travel books by Henry James)(Critical essay)

National Review

| February 12, 2007 | Buckley, William F., Jr. | COPYRIGHT 2007 National Review, Inc. This material is published under license from the publisher through the Gale Group, Farmington Hills, Michigan.  All inquiries regarding rights should be directed to the Gale Group. (Hide copyright information)Copyright

NEW YORK, JANUARY 9

THE sickbed serves to distract attention, but it is unsafe to assume as a corollary that such distraction is enjoyable or even productive. It may have lessened, for a few days, preoccupation with street warfare in Baghdad, but beware the seductions of innocent diversion.

Many years ago, just graduated from college, just married, I purchased a shelf-load of newly printed "classics"--to be read sometime, somewhere, or left to grandchildren to read. Such books rest, of course, in the uppermost reach of one's library, but I tipped one out en route to the hospital last month and found myself reading The American by Henry James.

It is 488 pages long, and it may be the single most boring book ever published. It is at least the single most venerated bad book ever published.

Now Henry James (1843-1916) is captivating when describing people and situations. I once wrote about his travel books that "you can close your eyes and open either volume at any page and find yourself reading prose so resplendent it will sweep you off your feet. Yet after a while, after a long while, you will recognize that you do, really, have to come down to earth because there are so many other things to do. And besides, if you stay with him for too long, in that engrossing, scented, colored, brilliant, absorbing world, you feel strung out, feel something like hanging moss."

On the matter of writing, and how to get it done, Richard Powers in the New York Times recently wrote an exalted essay in praise of dictation, made economically feasible in the modern world by speech-recognition devices. "I write these words from bed," Powers tells us, "under the covers with my knees up, my head propped and my three-pound tablet PC--just a shade heavier than a hardcover--resting in my lap, almost forgettable. I speak untethered, without a headset, into the slate's microphone array. The words appear as fast as I ...

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