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Getting the Most out of Mozart: The Vocal Works.(Book review)

American Music Teacher

| December 01, 2006 | Coker, Cheryl | COPYRIGHT 2006 Music Teachers National Association, Inc. This material is published under license from the publisher through the Gale Group, Farmington Hills, Michigan.  All inquiries regarding rights should be directed to the Gale Group. (Hide copyright information)Copyright

* Getting the Most Out of Mozart: The Vocal Works, by David Hurwitz. Amadeus Press (512 Newark Pompton Turnpike, Pompton Plains, NJ 07444), 2005. 210pp. $22.95

David Hurwitz brings his lifetime of passion for music, thoughtful perceptions of music, and a ready wit to his study of Mozart's vocal works. Having already completed a study of Mozart's instrumental works in another text, Hurwitz succeeds in bringing the reader of this volume to a richer understanding of Mozart's music, whatever the genre. Although musical skills and vocabulary would be helpful when reading this book, a love for learning about music is the strongest prerequisite.

Part One contains detailed studies of seven of Mozart's operas and is called "The Great Operas." Hurwitz provides charts that describe the instrumentation used for the vocal solos, ensembles and choruses for the operas in this section. The principal characters in each opera are described by referring to the music assigned to them. Part Two addresses other vocal works in three sections entitled: The "Not-So-Great-Operas," "Concert Arias" and "Sacred Music." An additional strength of the book is the included CD that contains arias and ensembles discussed, sometimes with text and translation provided. By inserting a section of nine pages of photographs from some of the operas studied, the author has further increased the value of the text.

As founder and executive editor of Classicstoday.com, Hurwitz works in an arena that enables him to write with authority as ...

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Source: HighBeam Research, Getting the Most out of Mozart: The Vocal Works.(Book review)

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