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Last month saw the release of a massive career retrospective from acclaimed singer-songwriter Tori Amos. The five-disc compilation, packaged in a mini Bosendorfer-style piano box, entailed Amos painstakingly tracking down and re-mastering her entire back catalogue. Here she talks exclusively to Music Week about the project.
How did the boxed set come about?
I was inspired by the Led Zeppelin re-masters of 1992, and so I really wanted to offer something of that quality. Rhino approached us to make the set and I had been told by other artists that if I ever got the opportunity to do a boxed set, I really needed to drop everything and get involved or I would regret it, so I put the time aside.
Was it a long process?
Pulling the catalogue together was pretty time consuming, because it wasn't as if we just said, `OK, let's do a direct transfer from the records.' This was really done by hand and, in a lot of cases, just because of how the masters were kept, they had deteriorated over the years.
Boxed sets are usually the preserve of deceased artists or disbanded groups. Did it feel weird making a boxed set in that respect?
It is a strange paradox to still be alive, and not have a hearing aid, and be making a current album for Sony ...