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Websites which build communities around music content, such as MySpace, YouTube and others, have provoked diverging reactions from major labels, reports Adam Woods, who surveys the new sector and examines the potential of this consumer-led beast
This time last year, few of us had even heard of MySpace, YouTube or Bebo, but now, as we all know, destinations built around social networking and user-generated content are ubiquitous almost to the point of over-familiarity.
Over recent months, so-called "Web 2.0" tie-ups and flare-ups have accounted for a significant volume of column inches, and even experienced industry-watchers have struggled to gauge the ...