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The Last of Her Kind, by Sigrid Nunez (Farrar, Straus & Giroux; $25). Nunez's ruthlessly observed portrait of countercultural America in the sixties and seventies opens in 1968, when two girls meet as roommates at Barnard College. Ann is rich and white and wants to be neither, confiding, "I wish I had been born poor"; Georgette has no illusions about poverty, having just escaped her depressed home town, where "whole families drank themselves to disgrace." Georgette finds Ann at once despicable and mesmerizing, and she's stunned--if not entirely surprised--when, years after the end of their friendship, Ann is arrested for killing a cop. In previous works, Nunez has proved herself a master of psychological acuity. Here her ambitions are grander, and the result is a remarkable and disconcerting vision of a troubled time in American history, and of its repercussions for national and individual identity.
The House of Scorta, by Laurent Gaude, translated from the French by Stephen Sartarelli and Sophie Hawkes (MacAdam/Cage; $23). This slender chronicle of a southern Italian family in the nineteenth and twentieth centuries won France's Goncourt Prize. The family patriarch is a bandit who rapes a village woman and is stoned to death; his (rather willing) victim dies soon after childbirth. Their son becomes an infamous and wealthy outlaw, whose three children, left penniless when he bequeaths all his money to the Church, strive to reestablish their name and their fortune. The already operatic story line is embellished with grandiose flourishes--burning desire that leads to an actual fire, guilt that gnaws until its sufferer starves to death--but, happily, it is also underpinned by a deeper concern with sacrifice and redemption.
Better for All the World, by Harry Bruinius (Knopf; $30). In 1927, the Supreme Court ruled in favor of ...