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Byline: Jean Nathan
I first saw a Biala painting many years ago at the New York apartment of a woman whose friends and intimates included such blue-chip names as de Kooning and Noguchi. Their work was well represented there, but what really dazzled me was a large winter landscape hanging on the wall behind the dinner table. It was a partial view of an evergreen tree, a snowdrift obscuring its roots and, beside it, a bird feeder inhabited despite the season. Something about the painting gave me the uncanny sensation that I was looking at a self-portrait. I knew I risked appearing ignorant-its prominent placement was surely no accident-but I had no idea whose work ...