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Random access: your role in music history.(Professional Resources)

American Music Teacher

| December 01, 2005 | Litterst, George F. | COPYRIGHT 2005 Music Teachers National Association, Inc. This material is published under license from the publisher through the Gale Group, Farmington Hills, Michigan.  All inquiries regarding rights should be directed to the Gale Group. (Hide copyright information)Copyright

Of course you have studied music history in school and (hopefully) have continued your music history studies, either formally or informally, since then. But have you thought about the role you play in that history? How about the role your students play? Given the possibilities of new information technologies, your potential role might be bigger than you think.

What Is Music History Anyway?

We all know what the study of music history is: the study of the life, times, musical practices and culture surrounding musicians, as well as their contributions to the musical art form. But what, really, is the history of music itself?.

When studying music history or any other history, it is easy to assume we are studying actual events that took place. In reality, however, history is not the sum total of the events themselves but, rather, our record of those events. That record can be at times accurate, inaccurate or rather muddled, yet we still study it to find meaning. Whenever we study that record, we must remember that there is a story in history.

The Individual Roles We Play

As a record of the past, our musical history can be found in many places, including information passed on through oral tradition, print, historical artifacts, pictures, recordings and even musical interpretations. Indeed, there is no single place where the entire accessible record of our music history resides.

Whenever we teach our students, we participate in the ongoing documentation of musical history and an evolving interpretation of it. For example, when we teach a student how to execute a trill in Mozart's music, starting (or not starting) on the upper note, we are contributing to the history of music by passing on information that may take on a life of its own through our student and everyone who comes in contact with that student and his music. What we pass on to our student may or may not be accurate or insightful, but it does become part of music history.

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