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The New Yorker

| October 17, 2005 | Schjeldahl, Peter | COPYRIGHT 2005 All rights reserved. Reproduced by permission of The Condé Nast Publications Inc. This material is published under license from the publisher through the Gale Group, Farmington Hills, Michigan.  All inquiries regarding rights should be directed to the Gale Group. (Hide copyright information)Copyright

You can tell the graphic-novels section in a bookstore from afar, by the young bodies sprawled around it like casualties of a localized disaster. There were about a dozen of them at the Barnes & Noble at Union Square one recent afternoon, in a broad aisle between graphic novels and poetry. Not one was reading poetry, but the proximity of the old ragged-right-margined medium piqued me. Graphic novels--pumped-up comics--are to many in their teens and twenties what poetry once was, before bare words lost their cachet. The nineteen-sixties decided that poet types would thenceforth wield guitars; the eighties imposed percussive rhythm and rhyme; the two-thousands favor drawing ...

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