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Vita, by Melania G. Mazzucco, translated from the Italian by Virginia Jewiss (Farrar, Straus & Giroux; $25). Mazzucco's intermittently commanding and moving epic about the Italian immigrant experience tells the story of two children from a rural village in southern Italy amid the fetid slums of New York, circa 1903. Diamante, aged twelve, is the author's paternal grandfather, and Mazzucco mixes fact with fiction in an attempt to imagine the life of his nine-year-old cousin Vita, a girl "with a great mass of dark hair and deep dark eyes." Some of the more factual sections flag (such as those describing the Italian campaign in the Second World War), but in the early, imaginative parts the narrative is full of pungent fictional details, like Vita in her boarding house making artificial flowers, and Diamante loading bodies on a cart at a funeral parlor and measuring them for coffins.
Veronica, by Mary Gaitskill (Pantheon; $23). Gaitskill's second novel is narrated over the course of a single day by an ailing former fashion model named Alison, now cleaning offices for a living, who ruminates on her glamorous youth and on her friendship with an older woman who died of AIDS. Her recollections range through the bohemian San Francisco of the late nineteen-seventies, the fashion worlds of Paris and New York in the eighties, and her family's claustrophobic but comforting home in suburban New Jersey. Gaitskill's distinctive prose often traverses decades and continents in a single paragraph, in a way that is more montage than narrative. When this ambitious approach succeeds, it yields startling revelations; when it doesn't quite come off, the result is a pleasant muddle. Recalling San Francisco prostitutes, Alison says, "Most of them weren't beautiful girls, but they had a special luster." An analogous allure pervades this book.
A Year in the Life of William ...