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The listening ear.(music teachers works)

American Music Teacher

| October 01, 2005 | Madaule, Paul | COPYRIGHT 2005 Music Teachers National Association, Inc. This material is published under license from the publisher through the Gale Group, Farmington Hills, Michigan.  All inquiries regarding rights should be directed to the Gale Group. (Hide copyright information)Copyright

Your work as music teachers and mine as a clinician may be different, but they dovetail in many ways. The children I help have issues with communication, social behavior, attention, language and learning skills--all being related to poor listening. My work consists of using instrumental music and the singing voice as sound stimulation, to train and develop listening. Teaching music goes well beyond initiating children to an art form. The influence of music on the brain and its value on the child's physical, emotional and cognitive development is now well documented. From my perspective, learning to play an instrument and to sing is a highly effective way to teach listening. What you and I have in common is our role in developing the listening ear.

My stance on the importance of listening stems from personal experience. As a youngster, I loved music, but I could not access it. I wanted to play guitar, but I couldn't distinguish the movements of my right from my left hand. I gave up guitar and tried singing in a group, still without success. I sang in tune but couldn't harmonize with the players, couldn't memorize the lyrics and I had no rhythm. This "musical disability" was part of a wider range of difficulties related to dyslexia. At 18, I finally met someone who could help me. Alfred Tomatis found that listening was at the root of my miseries and "prescribed" his listening training therapy ... I later became a "Tomatis specialist."

Listening is the ability to tune in and out at will. This attuning is vital for controlling a musical instrument as well as our voices. The musicians and singers that I help often experience a "gap," "distance," "disconnection" or a "lack of dialogue" between themselves and their instrument or voice. This indicates a listening breakdown. My role as an "ear tuner" is to get listening to work so, in turn, your teaching becomes more effective. Again, our interventions dovetail.

We all know the ear has two functions: sound perception and balance. Balance is just the tip of the iceberg. The vestibular system of the inner ear influences our posture, our movements and the position of our body in space. The interplay between the "ear of the body" and the auditory ear is fundamental for playing an ...

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