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Fennell Conducts Sousa.(Sound Recording Review)

Sensible Sound

| September 01, 2005 | COPYRIGHT 2005 Sensible Sound. This material is published under license from the publisher through the Gale Group, Farmington Hills, Michigan.  All inquiries regarding rights should be directed to the Gale Group. (Hide copyright information)Copyright

Fennell Conducts Sousa. Frederick Fennell, Eastman Wind Ensemble. Mercury SACD 475 6182.

Conductor Frederick Fennell's recordings of John Philip Sousa marches from 1960 and 1961 have pretty much been in a class by themselves for nearly half a century. It was good to have them on a Mercury Living Presence CD remastered in 1990s, and it's good to have them again in a new Super Audio CD mastered in 2004.

Fennell's way with Sousa is enthusiastic, to say the least. His exuberance overflows in tempos that are not always conducive to marching but always right for getting the blood running and the spine tingling. The British seem to think these are typically "American" interpretations, meaning, I suppose, more ebullient and carefree than the English might play them. Perhaps. There is surely a aura of high good spirits about these Fennell readings.

The present album combines Fennell's two Sousa LPs, "Sound Off" and "Sousa on Review." However, while there are twenty-four items represented, not every listener will be happy with the selections. Namely, the disc does not contain many of Sousa's best-known marches. You'll find no "Stars and Stripes Forever" here, or a "Washington Post" or a "Thunderer" or a "Semper Fidelis." What you do get are mostly lesser-known works from Sousa's output of over 100 marches: "Nobles of the Mystic Shrine," "Our Flirtation," "The Kansas Wildcats," "The National Game"; that kind of thing. Of course, there ...

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Source: HighBeam Research, Fennell Conducts Sousa.(Sound Recording Review)

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