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Mozart, W.A.: Piano Concerto 20 and Piano Concerto 23.(Two-Channel Releases)(Sound Recording Review)

Sensible Sound

| September 01, 2005 | COPYRIGHT 2005 Sensible Sound. This material is published under license from the publisher through the Gale Group, Farmington Hills, Michigan.  All inquiries regarding rights should be directed to the Gale Group. (Hide copyright information)Copyright

Mozart, W.A.: Piano Concerto 20 and Piano Concerto 23. Apollo's Fire Baroque Orchestra, with John Gibbons, fortepiano. Recorded in 2001 (#23) and 2002 (#20), at St. Paul's Episcopal Church, Cleveland Heights, Ohio. Engineer: Tom Knab. 57+ minutes. Koch 7575.

As period instrument recordings go, this is a good one. The ensemble plays expertly, Gibbons performs equally well, and the ensemble reproduction is quite good. The hall acoustics are a bit on the dry side and of course the instruments sound a bit leaner than what one would encounter with modern instruments, but the overall sound is clean, clear, and detailed, with a workable soundstage. The piano (built in 1997 and patterned after a Walther owned by Mozart) is a bit too close up sounding and a tad vague in terms of center focus, but this is not all that big a deal. Call what we get here a front-row perspective.

Dolby Pro Logic II decoding (either via the RX-Z1 receiver in my main system or the ...

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Source: HighBeam Research, Mozart, W.A.: Piano Concerto 20 and Piano Concerto 23.(Two-Channel...

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