LONERS.(Broken Flowers)(Grizzly Man)(Movie Review)

Bill Murray has strong cheekbones, a lordly crest of hair, and thin lips that he presses together in an act that suggests self-containment more than disapproval. In Jim Jarmusch's new "Broken Flowers," as in "Rushmore" and the recent "Lost in Translation," the teasing ironist-clown of twenty years ago has vanished. At the age of fifty-four, Murray has become rather imposing--he holds the camera with little flickers of amusement in his eyes and tiny changes of emphasis and color in his voice. He's now a major actor, but in a specialized way: he doesn't extend himself much, and it's initially hard to imagine him as what he's supposed to be in "Broken Flowers," an ...