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To read Cormac McCarthy is to enter a climate of frustration: a good day is so mysteriously followed by a bad one. McCarthy is a colossally gifted writer, certainly one of the greatest observers of landscape. He is also one of the great hams of American prose, who delights in producing a histrionic rhetoric that brilliantly ventriloquizes the King James Bible, Shakespearean and Jacobean tragedy, Melville, Conrad, and Faulkner.
There is intense disagreement about McCarthy's literary status, which his new novel, "No Country for Old Men" (Knopf; $24.95), an unimportant, stripped-down thriller, will only aggravate. Some readers are alienated by his novels' punctual ...