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Franck: Symphony in D minor; Lalo: Symphony in G minor; Faure: Pavane.(Sound Recording Review)

Sensible Sound

| July 01, 2005 | COPYRIGHT 2005 Sensible Sound. This material is published under license from the publisher through the Gale Group, Farmington Hills, Michigan.  All inquiries regarding rights should be directed to the Gale Group. (Hide copyright information)Copyright

Franck: Symphony in D minor; Lalo: Symphony in G minor; Faure: Pavane. Sir Thomas Beecham, Orchestre National de la Radiodiffusion Francaise. EMI 7243-5-62949-2.

Until the rerelease of this disc, my reference standard for the Franck Symphony was Monteux's recording of 1961 with the Chicago Symphony Orchestra (RCA Living Stereo) and before that (because Monteux's old recording had long been unavailable on CD) Dutoit's digital recording with his Montreal players (Decca). I have to admit that it had been many years since I had heard Beecham's 1959 rendering, and I had quite forgotten how good it was. But I have to stand by the conviction that Monteux still rules the day.

By comparison to Monteux's authoritative interpretation, Beecham's account sounds a tad more wayward in matters of pacing and a bit less magical overall, but it's still quite fluid and graceful. Dutoit, whose performance is also very good, seems more matter of fact than either Monteux or Beecham, more suavely elegant, to be sure, but ultimately more mundane. Monteux is the more reposed and more insightful of the three, whilst retaining plenty of excitement. Although timings are much the same in all three accounts, Monteux seems more meaningful for his better gauged lingerings and pauses. The music is just as dramatic in all three versions, swinging from moody to energetic, but Monteux is that much more ravishing in the central Allegretto, with its prominent English horn solo, and in the ...

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Source: HighBeam Research, Franck: Symphony in D minor; Lalo: Symphony in G minor; Faure:...

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